個(gè)體性文化體系的失度——哈代小說主人公悲劇根源研究
定 價(jià)：56 元
- 作者：劉磊
- 出版時(shí)間：2022/7/1
- ISBN：9787305258978
- 出 版 社：南京大學(xué)出版社
- 中圖法分類：I561.074
- 頁(yè)碼：220
- 紙張：
- 版次：1
- 開本：16開
悲劇維度是英國(guó)作家托馬斯·哈代小說最重要的維度之一。對(duì)于主人公悲劇根源的探索有助于研究哈代小說的思想內(nèi)涵及其歷史意義。哈代小說主人公的悲劇根源（即他們的災(zāi)難性結(jié)局的根源）可以從文化角度來闡釋。在雷蒙·威廉斯文化唯物主義理論的基礎(chǔ)上，個(gè)體性文化體系的合度與失度之闡釋框架可以發(fā)展出來，用于托馬斯·哈代小說主人公悲劇根源的研究。在一定意義上，個(gè)體性文化體系的失度（簡(jiǎn)稱為文化失度）導(dǎo)致了小說主人公的災(zāi)難性結(jié)局。該專著從個(gè)體性文化體系的失度的視角研究哈代悲劇，可以對(duì)現(xiàn)代性發(fā)展過程中的道德、性格、身份和價(jià)值觀等諸多維度給予闡釋。
劉磊，男，1982年出生，中國(guó)民航大學(xué)外國(guó)語(yǔ)學(xué)院副教授，上海外國(guó)語(yǔ)大學(xué)英語(yǔ)語(yǔ)言文學(xué)專業(yè)博士。主要研究方向?yàn)橛⒚牢膶W(xué)與文學(xué)理論。近年主要學(xué)術(shù)論著：《英美文學(xué)中人文情結(jié)的嬗變》；《美國(guó)“垮掉派”詩(shī)歌研究——認(rèn)知詩(shī)學(xué)視閾》[第二作者]�，F(xiàn)階段主講或曾經(jīng)主講“大學(xué)英語(yǔ)”、“高級(jí)英語(yǔ)”、“中西文化比較”、“基礎(chǔ)英語(yǔ)寫作與交流”（博士生公共英語(yǔ)）等課程。
Acknowledgments
摘要
Abstract
Introduction
0.1LiteratureReview
0.2TheMethodologyandOrganizationoftheBook
ChapterOneCulturalInappositenessintheDimensionofMorality
1.1TheNative:TheConflictbetweentheSufficiencyandtheModerationofAltruism
1.2TheNative:TheConflictBetweentheAffirmativeMoralityandtheNegativeMoralityMechanism
1.3Tess:TheConflictBetweentheSpiritualizedMoralityandtheMaterializedMoralityMechanism
1.4Jude:TheConflictBetweentheContent-directedMoralityandtheForm-directedMoralityMechanism
1.5TheIdeasaboutMoralityinTheNativeandTheirHistoricalSignificance
1.6TheIdeasaboutMoralityinTessandJudeTogetherwithTheirHistoricalSignificance
ChapterTwoCulturalInappositenessintheDimensionofDisposition
2.1TheMayor:TheNegativetendency
2.2TheMayor:TheMood-basedAggressiveness
2.3Tess:TheImbalanceofPsychologicalRhythm
2.4TheIdeaaboutDispositioninTheMayorandItsHistoricalSignificance
2.5TheIdeaaboutDispositioninTessandItsHistoricalSignificance
ChapterThreeCulturalInappositenessintheDimensionofIdentity
3.1Tess:TheConflictBetweentheIdentityofExplicitEqualityandtheExplicitIdentityInequality
3.2Tess:TheConflictBetweentheIdentityofImplicitEqualityandtheImplicitIdentityInequality
3.3TheMayor:TheConflictBetweentheIdentityasaPatriarchandtheModernizedIdentityMechanism
3.4TheIdeasaboutIdentityinTessandTheirHistoricalSignificance
3.5TheIdeaaboutIdentityinTheMayorandItsHistoricalSignificance
ChapterFourCulturalInappositenessintheDimensionofValueConcept
4.1Jude:TheConflictbetweentheValueConceptofKnowledgeandtheSynchronicValueHegemony
4.2Jude:TheConflictbetweentheValueConceptofloveandtheDiachronicValueHegemony
4.3TheNative:TheConflictBetweentheExterior-orientedValueConceptandtheInterior-orientedValueMechanism
4.4Tess:TheConflictBetweentheSpiritualizedValueConceptandtheMaterializedValueMechanism
4.5TheIdeasaboutValueConceptinJudeandTheirHistoricalSignificance
4.6TheIdeasaboutValueConceptinTheNativeandTessTogetherwithTheirHistoricalSignificance
ChapterFiveTheHistoricalSignificanceoftheOverallFormatofCulturalInappositenessLeadingtoTragedies
5.1LiteraryInterpretationoftheFatalismandPessimismofArthurSchopenhauer
5.2LiteraryInterpretationoftheIdeasofReformismofJohnRuskinandAugusteComte
Conclusion
Bibliography
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